Its constant Q design make adjustment easy and intuitive. The Whirlwind 10 band equalizer draws on years of equalizer experience to create a studio quality equalizer for live performance and recording.
Tour proven, sonically superior, and American made. That said, we are proud to announce the release of the THE PERFECT TEN and THE BASS TEN EQs. Gambacurta has been designing audio products for over 35 years at MXR, ART and Whirlwind. I've even used parametric EQ's and parametric EQ pedals.But the Whirlwind is now my all time favorite addition after my bass, amp, and speakers.is it more expensive then the geb-7 or mxr 10 YES.The new Whirlwind 10 band equalizers were designed by Tony Gambacurta, affectionately referred to as the Guru of modern EQs. I've had a real hard time finding the right EQ pedal for bass.
Whirlwind Bass Ten is an EQ pedal I picked up after selling my Boss GEB-7 and refusing to buy the MXR ten. The Bass Ten goes 20, 40, 80, 160, 320, 600, 900, 1.3k, 1.8k, 3K, So it seems like it would, obviously, be more useful for bass.The MXR 6 band is at 100, 200, 400, 800, 1.6k, 3.2k-seems like that would be more useful for bass than the MXR 10-band.The Mooer Graphic B goes 62.5, 125, 500, 1k, 4k-if you're saying that 2k is the limit for bass, then it's got at least 1 band that isn't really helping, BUT, for $88, the Mooer EQ might be worth trying out.edit: I just re-read your post and, apparently, the MXR 6 band GEQ has the same frequency centers as the Joyo pedal that you're using. MXR M-108, $120EQ Bands: 31.25, 61.5, 125, 250, 500, 1k, 2k, 4k, 8k, 16kGain, Volume18vWhirlwind Perfect Ten, $200EQ Bands: 31, 63, 125, 500, 1k, 2k, 4k, 8k, 16kVolume18vPotentially the same product designer in Tony Gambacurta.The price difference might be the 'Constant Q' marketing speak/tech that Whirlwind uses.Ĭlick to expand.Your actually talking about the Perfect Ten. If there were a smaller one available with the same build quality and headroom I'd consider a switch, but having used this one it's a tough act to beat.Share you adventures, surprises and let downs amongst the tone-tweaking world of EQ.
Enter the Whirlwind Bass Ten - a massive 18v, sizely unapologetic pedal that in spite of eating up precious pedalboard space it delivers more than the EQ stage of my actual bass head.My question to the group: Is this to some degree a one of a kind bit of gear or are there some diamond in the rough EQs out there I've missed? I'm fully aware of the more generic 9v EQs (MXR, Boss), but when you hear this thing it's just an entirely different class. Ampeg, Hartke and Ashdown have all stuck with them on various heads, but in the pedal world I have to believe the argument against them is primarily space related. The classic 10-band graphic EQ in a way is a little retro.
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